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Archive for October, 2015

Billy the Kid is the one on the left

Billy the Kid is the one on the left

Every story has heroes and villains, the good guys and the bad guys, the ones we want to win, and the ones we know will be defeated. In books and movies the distinction is usually made pretty clear cut by the writer showing us that one is the goodie, the other the baddie. Sometimes the boundaries are blurred and we find the good guy being treated as a bad guy, one example being Harrison’s Ford’s character Dr Richard Kimble in The Fugitive. Kimble is accused of murdering his wife, resulting in US Deputy Marshal Samuel Gerard, wonderfully portrayed by Tommy Lee Jones, hunting him down, determined to catch a killer. In the film we know Kimble is innocent of this crime because we see scenes from his point of view, we become insiders, people who have witnessed the truth of the matter.

In real life that insider knowledge is denied to us. If we have a personal friendship with someone, then we might believe that we have some understanding of their motivation for a particular action. If they are a stranger to us, then we rely on newspaper reports, television news reels and hearsay, but these are easily coloured by sensationalism. This distortion can become even further exaggerated if the individual we’re judging died many years ago and has become a legend.

Billy the Kid playing croquet

The new photo of Billy the Kid playing croquet – courtesy of Kagin’s

Ever since a child I’ve been fascinated by the outlaw Billy the Kid, also known as William H Bonny amongst many other aliases, and originally named Henry McCarty. During my childhood he repeatedly appeared in westerns, as a youth lurking in the shadows, propping up a bar, being told he could only drink milk. ‘Is that the kid?’ some gunslinger would ask. ‘I hear that Sheriff Pat Garrett’s in town.’ The characters were clearly defined, Billy the Kid as an outlaw, Pat Garrett as the cop who was after him. We know who’s supposed to win.

So, why do we root for Billy the Kid? Is there a large question mark concerning his guilt or innocence? Or, do we simply feel empathy because he’s referred to as ‘kid’ and therefore must be young and less likely to do bad things? Movie makers err towards portraying him as a sympathetic character, and not a hardened criminal. He’s an outlaw, a man on the run, and just like Dr Kimble, a fugitive. The distinction between the two men is that we have never been given an insider scene for Billy the Kid, we don’t know precisely what happened that set him on a desperate trail.

The recent discovery, and verification, of a new photo of Billy the Kid set me on a trail of investigation. Was this guy a hero or a villain? Firstly I researched his date of birth and set up a noon time birth chart for him. I would go and read what others said about him later, after I’d made my own assessment of his character.

Billy the Kid potrait

The only previously known photo of Billy the Kid

Henry McCarty was born on 17th September 1859 in New York. (no birth time available) Early on that day the Moon is in Taurus, while from approximately 6:30 pm it’s in Gemini, closely conjunct his natal Uranus. This change in the Moon sign makes for two very different characters, but I prefer the earlier Taurus Moon, because when I did read up on him I learnt that he spoke fluent Spanish, and the earlier time places his natal Mercury conj. Mars in the 9th house, which would make him quick to pick up a new language. It also makes him an overall nicer person, steady and loyal; while Moon conj. Uranus would have him dropping his friends as quickly as a hot potato. I rather like the idea of him being a nice person, after all, I’ve been captivated by his story since childhood.

The new photo shows Billy playing croquet, allegedly after a friend’s wedding. This is normal stuff, this makes him a good guy. In his birth chart he has Jupiter in Cancer, showing how he likes and respects the concept of family and a sense of belonging.

So, where’s the villain in him? Is it there? Well, he has four planets in Virgo which would make him someone who is very intelligent, and extremely precise. He has Sun conj. Venus in Virgo giving him a desire to dress up smart, and to be clean and tidy. It can also give someone a slight stature, and records say that Billy wasn’t very tall, hence his nickname of ‘the kid.’ But, what’s this? He has Mercury conj. Mars in Virgo, which is maybe where the trouble begins. He’d have had a cutting tongue, but not necessarily a quick temper; however, it would make him extremely fast to draw a gun when angered, and he’d be highly accurate. This is turning him into Billy the Precision Kid. With Pluto in Taurus trine this Mars/Mercury conjunction, he’s someone who would brew and smoulder, build up hatred deep inside, then react when pushed too far.

Billy also has Uranus square Mercury/Mars conj. which would make him a risk taker. If he were alive today he’d ride a fast motorcycle, weave in and out of traffic at speed, but never fall off, never make a mistake. This square could make him quick to flare up, but more likely when speed is the challenge, such as a horse race or a competition to see who can shoot six tin-cans faster than the other. It could also make him impatient, but more with his tongue than his fists.

During my research I read various accounts of how Billy the Kid first came to kill a man, Frank P. Cahill. The consensus of opinion is that Billy went into a bar to do some gambling (he’d be good with cards and numbers, so probably won often – which might make him unpopular). Over the game of cards he gets into an argument with Cahill, reports suggesting that this was not a new issue and that Cahill frequently bullied Billy and physically assaulted him. On this fateful occasion, Cahill, a big man, knocks Billy down and straddles him, continuing to punch. Fearing for his life, Billy manages to draw his gun and shoots Cahill in the stomach, a wound he ends up dying from.

This story about Cahill’s behaviour, how he repeatedly picked on Billy and beat him up, paints Billy in the light of a man who was forced to take action to protect himself, and had reached the end of his tether with a bully. Billy was pushed too far. Billy was quick on the draw and didn’t think twice about the consequences of his actions, all he wanted was for that bully to stop thrashing him.

It also backs up my assessment that Billy has Moon Taurus. He’s stubborn. He kept going back to that darn bar, refusing to let a bully control his life. If he was born later in the day, with Moon conj. Uranus he’d more likely have had entirely the opposite reaction. He’d have walked away. If someone kept picking on him he’d have turned right around and found a different bar to gamble in, found new friends. He wouldn’t have hung around.

None of this casts Billy the Kid as a hero or a villain, but if I were writing an insider scene, something that only the reader gets to share, I’d show a conversation between Billy and his friends. They’d beg him not to go into Atkins saloon, tell him that they’d seen that bully Cahill go in there earlier, warn him to gamble elsewhere. Billy would, of course, have responded that no man was going to intimidate him into not going where he wanted to go. If Cahill attacked him then he’d sidestep, he was quick on his feet, nimble like a dancer. I’d then change scene to inside the saloon, show Cahill talking with his buddies, telling them how was going to thrash that kid if he showed his face today. As we read we beg Billy not to walk through those swing doors into that bar, but the stubborn youngster pushes them open, steps inside, and an outlaw is born.

Billy the Kid

Birth chart for Billy the Kid erected for 12:30pm

Here are som great places to research Billy the Kid.

http://www.angelfire.com/mi2/billythekid/cahillkilling.html

http://westernfictioneers.blogspot.co.uk/2014/05/did-billy-kid-kill-frank-cahill.html

https://en.wikipedia.org/wiki/Billy_the_Kid

 

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Once upon a time Booktrope came along and changed everything…they offered me a publishing contract. With Booktrope we do what is termed ‘team publishing,’ in that we create a team consisting of author, editor, book manager, project manager, proof reader and cover designer, all working together to generate the best book possible before it goes to press. But today I’m not here to talk about the specifics of an individual project, I’m here to talk about the much larger possibilities that Booktrope offers its authors.

Montana Book FestivalBooktrope itself is one large family, with everyone helping each other out and flagging up opportunities. Maybe what’s on offer is as simple as someone offering to buddy-up over a coffee (Or virtual coffee via Skype) because they work in a particular industry and have insider knowledge that will help you perfect a scene, or maybe it’s a chance for visual exposure to the industry, such as being asked if you’d like to share table space at the Montana Book Festival. On my own I would never have heard of, thought of, or even dreamt of having my novel Visiting Lilly represented at the prestigious Montana Book Festival. After all, I live in the UK, not America.

Visiting Lilly at Montana Book FestivalSo, when Booktrope’s highly talented author Paula Marie Coomer sent round a message inviting fellow Tropers to take part in the Montana Book Festival, I was eager to be involved. My enthusiasm stemmed not from anticipated book sales, but a deep understanding that to display my novel to a wider audience offers traction to becoming a recognised author.

PMC at Montana Book FestivalI caught up with Paula on her return and asked how the festival had gone and what she’d brought away from the experience that she’d like to share with other authors.

Here’s Paula’s excellent report.

First, I’d like to thank Guy Pace  for joining me. We had such a fun time chatting back and forth and talking to all the wonderful folks who came past our table. Guy was relentless! He is a great front man who would not let people not talk to him. It was a wonderful thing to see. Also have to give a shout out to Barb Drozdowich Jae Carvel Massimo Marino  Kandi J Wyatt Allan Ament  Tess Thompson Toni Allen  for providing books and swag. We didn’t sell too much, but we talked to lots of people about Booktrope, gave out most of the handouts about the Booktrope website, and talked to a number of authors looking for a literary home.

PMC Montana5What events like this always remind me of is how much writing is being done out there, how many writers there are, how many ways of approaching the writing life and task of writing, how many different goals writers have, how many different types of books and publishers, and just how alive and well and buzzing the world of books is. I ached for those authors out there roaming the world looking for a publisher. We all remember what that was like.

Guy Pace at Montana Book FestivalIt was also my first time to be on the vendor side of things. I have previously only attended writing and book conferences as an author or presenter. I’d never considered setting up a vendor table as an author. In this case, I registered as Booktrope since we had a number of BT authors represented. What I didn’t know is that the name and logo for Booktrope would be published far and wide. It got me thinking about name recognition and how setting up at festivals like this might be quite a boon for new book authors who are trying to get their work and name out there. One of the most interesting moments was talking to a physicist from New Mexico about Massimo Marino’s trilogy (Massimo is a physicist). The man didn’t buy a book, but I’m guessing he won’t forget the conversation he had with Guy about it. My point is, what are the chances of connecting with someone like that? If Massimo had been there, I’m sure the man would have purchased the book. (Hmm. Maybe having authors standing by on Skype or Facetime next time? Very 21st century.) We connected with him because of what he does for a living. It made me think about the fact that I have a book about a nurse, but have I ever reached out to the nursing community around it? No! Why is that? Why wouldn’t I think of doing that first?

Barb at Montana Book FestivalIt made me realize, once again, that hands-on selling may be expensive, in terms of what it takes to get us out there in the world, but it is an adjunct to online promotion and can, in fact, give new direction to our online promotions. Maybe we need to think more deeply about the populations represented in our books. Who are the outliers? Who else might we have missed? (I’m thinking in my first novel, also, of how much a part the natural world plays, yet it now dawns on me that I’ve never once thought to introduce the book to a group of naturalists interested in our well-studied geographical region.)

Jae Carvel at Montana Book FestivalAlso, what about groups you identify with? Guy has a passion for Harleys, so he’s been talking up his book to a Harley group he’s connected with online. How brilliant. A Harley rider who wrote a book. Anyone who rides Harleys or loves motorcycles might perk up an ear. It makes complete sense.

Allan Ament at Montana Book FestivalGuy also knew enough about the White Sands proving grounds to be able to take the conversation down that road a ways–engaging that physicist further. Who’s to say the man didn’t go right home and order Massimo’s book? In fact, several people wrote down names and titles of several books. Speaks also to the value of swag–bookmarks, handouts, drop cards–all of it serves a purpose. Getting yourself in front of people and making a memorable impression–it’s as old as marketing itself, but you can’t put a price on that human connection. One woman I talked to at the table reached out to me later and ended up telling me a huge piece of her life. I was able to say something that made her see that piece of herself differently. She started to cry. Came back to my table and bought a book. Humanness sells books twice as fast as tricks and flash and fast-talking. It comes down to making connection. None of this is new, but I was so impressed by this over and over again.

Lastly, the people selling the big numbers of books were the people selling and presenting, so you know I will be putting my proposal in for next year. I’ll also have a Booktrope table, too, however.

All of this is to say–when you see a call for proposals for a book festival or conference, don’t be shy. Get together with some other authors and share the cost of a table.

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If you missed me talking live on Radio Woking about all things astrology you can now listen to a recording of the show.

I was in coversation with the fabulous presenter Sharon Galliford on her Sunday morning show The View From Here.

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